Making + Writing Things:Prototyping as a Compositional Strategy – Jentery Sayers | UVic | MLab | @jenterysayersSyracuse University | 3 March 2016Slides Online: jentery.github.io/syracuse/



Making + Writing Things:Prototyping as a Compositional Strategy – Jentery Sayers | UVic | MLab | @jenterysayersSyracuse University | 3 March 2016Slides Online: jentery.github.io/syracuse/

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syracuse

Slides for talk at Syracuse University (2016)

On Github jentery / syracuse

Making + Writing Things:Prototyping as a Compositional Strategy

Jentery Sayers | UVic | MLab | @jenterysayersSyracuse University | 3 March 2016Slides Online: jentery.github.io/syracuse/

Use your left + right arrow keys to navigate this slidedeckImage care of Garnet Hertz

Why prototypes for humanities research?

Image care of Danielle Morgan
Video and model care of Katherine Goertz + Victoria Murawski
Video and model care of Katherine Goertz + Victoria Murawski

Kits for Cultural History

Remake technologies that no longer exist, no longer work,or cannot be found in museums or archives

"Prototyping the Past" or "Prototyping Absence"

Image care of Danielle Morgan

Components of a Kit

Box Prototype Model Supplement

For more, see Hyperrhiz 13

Image care of Nina Belojevic + Danielle Morgan

Prototyping Beyond CNC

Image care of Devon Elliott

McPherson on "In and Through" Objects

Image care of Cinema Journal

Rosner on Design

Image care of Rosner's Website

Shipka on Negotiation

Image care of Toward a Composition Made Whole

Kraus on Conjecture

Image care of Digital Humanities Quarterly

Four Examples beyond CNC

Hardware

Building, Bending, Hacking, Modding (see Collins)

Image care of Jon Johnson

"Glitch Controls"

By Nina Belojevic + Jon Johnson

Rather than engaging videogames primarily through the screen,hardware hacking offers a tacit form of interactionoften resistant to symbolic or graphical logic.

Image care of Jon Johnson
Image care of Nina Belojevic

Consequences for Writing

Demands Attention to Manufacture (see Belojevic) Prompts Tangible Awareness of Audience (see Johnson) Critique through Repair (see Rosner and Ames) Ground Glitch Theory in Material Particulars (see Kirschenbaum)

Image care of Nina Belojevic

Simulations

Rehabilitate or Mimic Events (see Fuller)

Image care of Patrick Close

"From Grain to Glitch"

By Patrick Close

Continuous movement from the ephemeral click to the stochastic massto the pure sine tone and finally to white noise (and back again)

Image care of Patrick Close
Image and Max patch care of Patrick Close

Consequences for Writing

Executability of an Abstraction or Model (see McCarty) Remediate, Demo, and Communicate Concepts (see Drucker et al.) Learning through Process Modeling (see Close) Understand Systems by Reproducing Relations (see Molleindustria)

Image care of Patrick Close

Indie Games

Games Are Zines (see Anthropy)

Image care of Danielle Morgan

"Right"

By Danielle Morgan

In a world of right angles, you search for acuteness.

Image care of Danielle Morgan

Consequences for Writing

Manifest Critique through Experiment (see Flanagan) Game as Evidence for Values (see kopas) Game Design over Programming (see Fullerton) Test How Processes Are Persuasive (see Bogost)

Image care of Danielle Morgan

Design Fiction

Enact a Technocultural Future through Narrative (see Sterling)

Image care of Nina Belojevic + Jon Johnson

"HyperLit"

By Nina Belojevic + Jon Johnson

Interactions encourage audiences to become aware ofhow gamification renders them productive subjects.

Image care of Nina Belojevic + Jon Johnson
Video care of Nina Belojevic and Jon Johnson

Consequences for Writing

Imagine New Tech Beyond Instrumentalism (see Lukens + DiSalvo) Create Conditions for Narrative and Experience (see Roesler) Hermeneut Inhabits the System (see Drucker + Nowviskie) Literature as Source for Cultural Criticism and Humor

Image of Michael Stevens care of Nina Belojevic + Jon Johnson

Key Issues

Thank You

Jentery Sayers | UVic | Maker Lab | @jenterysayersSyracuse University | 3 March 2016

Special thanks to Patrick Berry, The Writing Program, The Writing Program’s Student Organization and Composition and Cultural Rhetoric Graduate Circle, the Department of English, Syracuse University Libraries, and the Digital Humanities Working Group of The CNY Humanities Corridor